Pennsylvania
At about 9:30 in the morning on September 23, 1999, the Landsat 7 satellite swooped southward over eastern North America and captured this image of Philadelphia and environs.
Three of the Landsat sensors detected energy in the infrared part of the electromagnetic spectrum, completely invisible to the human eye. Data from these sensors is displayed here, with each of the three infrared bands assigned to one of the normal red-green-blue color bands so we at least have something to look at, even though the colors have nothing to do with normal vision.
Clicking on the picture brings up a bigger version, which shows much more detail.
We can tell right away that the rivers are black; infrared energy is completely absorbed by water, reflecting back nothing for the sensors to detect. And if we look along the river at lower left, we can make out the airport, with runways that are bright cyan in color. This white-to-bluish hue is also the color of roads, railroads, parking lots, and other paved surfaces.
Infrared data is especially useful for studying vegetation, which shows up in this color scheme as red, orange, or yellow. The brightest red patches represent vigorous herbaceous growth, such as healthy cropland in the midst of the growing season. There's little or no farmland in and around Philly, however, so the red patches we see here, such as in between the airport runways, are probably healthy weeds.
Patches of red coloration with a touch of an orange tint and some texture are forested areas, such as in parks or between the fairways of golf courses. Extremely vigorous grass, such as on the golf course fairways themselves, looks bright yellow in this view.
The brownish-to-grayish-to-bluish areas show mixed land cover: Landsat's sensors are averaging out the infrared signals from house roofs, pavement, lawns, shrubs, and trees in varying concentrations. Brownish areas are suburban, with lots of trees and grass; dark green to gray-blue areas are more urban, with a higher ratio of rooftops and pavement to vegetation.
Philadelphia has changed since this image was captured twelve years ago. Another stadium has been built near where the Schuylkill River empties out into the Delaware. In my neighborhood just south of Center City, the forested patch of land near the Schuylkill, which in 1999 was an abandoned and overgrown Old Sailors' Home is now a heavily developed condo complex. Even though the population of Philadelphia has shrunk dramatically over the past half-century and has just barely started growing again, land use patterns as viewed from outer space show ongoing urbanization.
On a crisp October Saturday, deep in the Loyalsock Canyon of World's End State Park, you have to wait on line for your turn to take pictures of the waterfalls.
Ordinarily, creeks and waterfalls have shriveled to a trivial trickle by this time of year. But after a wet, wet summer and then the floods of Hurricane Irene, waterways throughout Pennsylvania are putting on a show.
Appropriately enough, what you can see from the top of Castle Rock, just outside World's End State Park in the Endless Mountains of Sullivan County, Pennsylvania, are endless trees and endless mountains. Way down below is a tributary of Loyalsock Creek, which spills heedlessly over waterfall after waterfall en route to the west fork of the Susquehanna.
It is definitely the time of year to wear bright orange in these woods.
Friday was the Philadelphia Photo Arts Center's second annual Philly Photo Day. Anyone can submit a digital file for a photo taken anywhere in the city during the twenty-four-hour period of October 28; the Photo Arts Center prints the pictures and offers them for sale at a fund-raising gala. My submission was this snapshot from the checkout line at an ABC store, where Philadelphians were getting ready for the weekend.
Above, you see what's left these days of Centralia, Pennsylvania, once a busy little coal-mining community, now literally a smoking ruin. Seams of coal in the ground underneath Centralia have been burning for almost fifty years now, despite millions of dollars spent on fire-fighting efforts. The townspeople have all been relocated and their homes and businesses demolished, but still the fire burns, heating the ground from below, venting smoke through cracks in the earth. Researchers estimate it will burn itself out in another couple of hundred years.
Centralia had its fifteen minutes of fame about thirty years ago, when residents finally gave up on fighting the fire and voted to abandon their homes. What was not widely discussed at the time, however, was that although coal fires can occur as natural phenomena, this one was no act of God; it was intentionally set by Centralia's own fire department as part of a routine practice of burning off garbage in the town dump. In 1962, however, the town acquired a new landfill: a long-abandoned anthracite strip mine. When the fire department lit its regular garbage fire in the new dump, an exposed coal seam caught fire.
For twenty years, townspeople fought the fire and tried to live with it. But in 1981, the owner of an Amoco gas station was checking the level of fuel in his underground storage tank when he noticed that the dipstick seemed hot. A thermometer lowered into the tank revealed that the temperature of the gasoline was 180 degrees.
There were numerous complaints of people experiencing symptoms associated with carbon-monoxide poisoning, and the city bought carbon-monoxide detectors for every home. But Centralians still didn't give up on their town until the day that a sinkhole suddenly cracked open beneath the feet of a twelve-year-old boy. He slipped part of the way down into the hole, which was about four feet wide and more than a hundred feet deep, hot and smoking and belching poisonous fumes. The boy's cousin grabbed his arms and was able to rescue him before he fell all the way in, and shortly thereafter, the U.S. Congress came up with $42 million to relocate all 1,000 men, women, and children of Centralia.
Underground coal fires are actually fairly common, especially in China and Indonesia, where it is believed that as much as 10 per cent of all the known coal reserves may have caught fire while still in the mines. About 200 coal fires have been identified in the United States, mostly in Pennsylvania and West Virginia. In the U.S., most coal fires are far from populated areas and are started by sparks from wildfires or lightning strikes in coalbeds. There is geological evidence of coal fires burning many millions of years ago, and it has been calculated that over time, coal-fire emissions of carbon dioxide and other toxic gases may have significantly impacted global warming.
Coal fires are notoriously difficult and expensive to fight, and efforts to put them out often wind up making them worse, feeding the flames with fresh air. In 1982, experts consulted by Centralia proposed an elaborate trenching operation that would cost $440 million and might or might not work. Voters rejected the scheme, and presumably they have now gotten on with their lives, wherever they have gone. A reunion is set for 2015; on the agenda is the opening of a time capsule sealed in 1965, during construction of what was then the new town bank.
In the photos below:
(1) A block in downtown Centralia, from a 1986 photo. All the buildings were razed except for the Speed Shop bike store near the righthand edge of the picture, which caught fire.
(2) Smoke from cracks in the ground, as seen last week. In many parts of town, we could feel the heat through our shoes.
(3) New wind turbines on the ridge north of Centralia. Energy produced by these few windmills must be trivial compared to the energy once dug out of the earth here, which in turn may be trivial compared to the energy wasted by the mine fire. But a new page is turning in the history of this coal country.

Sadly, this is a "before" picture: the big American Elm tree in the courtyard of Shiloh Baptist Church in our neighborhood has been diagnosed with Dutch Elm Disease and is about to be cut down.
I'm told this tree made a cameo appearance in The Sixth Sense, a Bruce Willis movie shot in the neighborhood, but I can't confirm or deny. There's a pivotal scene near the end of the movie in which the boy and his mother sit talking in the car, which is stopped near the scene of an accident; there's a tree outside the car window on the boy's side, but all the camera shows of this tree is its lower trunk, which is not sufficient for a positive ID.
Anyway, the church building and probably also the tree date back to the 1860s, when the Church of the Holy Apostles was built to serve a neighborhood rapidly filling with immigrants from Ireland. Numerous annexes and additions were required, as the parish exceeded 10,000 by 1910. But by 1940, descendants of the Irish immigrants were leaving the neighborhood, and descendants of African slaves from the American South were pouring in. The church complex was sold to a Baptist congregation and renamed Shiloh.
Today, Shiloh's congregants have mostly left the neighborhood, replaced this time by newcomers who mostly grew up in middle-class suburbs; one long-time resident described the new neighbors to a newspaper reporter as "white people with big dogs." Churchgoers who've moved away return to Shiloh on Sunday mornings, causing traffic jams and parking conflicts. There is no church parking lot; for the church's first hundred-plus years, people got there by walking.
The congregation is shrinking fast and is already far too small to maintain the huge church complex. The elm will come down in the next few weeks; the building, designed by the iconic Philadelphia architect Frank Furness, may not be far behind.
Every few minutes at Victor Cafe in South Philly, one or another of the servers rings the little bell seen here on a tabletop and bursts into song.
They all have operatic training, so usually they sing opera, which is what the crowd came for–and they do draw a crowd. But as the evening progresses, the repertoire loosens up a little; they belt out showtunes as well as arias, and they even take requests. Here, at the end of the night, a tenor working as a waiter closes down the place with that old pop standard, Ave Maria.
Last week, baby Calla's visit back in Pennsylvania with the family included a little time on all fours out in the yard. A good time all around, according to Grandma. But on Friday, it was back to the airport for a long, long ride on a plane–back home to Zambia, in Africa.
Arthur Havard was fourteen years old in 1911 when his picture was taken at work one day, outside the #6 shaft of the coal mine in South Pittston, Pennsylvania.
Havard's job was to drive the mules that hauled coal along tracks from the working face deep in the mine all the way up to daylight. Many boys worked in the mine for years as mule drivers until they finally grew big enough to wield a pick and work as regular miners.
It was another world back then. Yet it wasn't all that long ago; Havard's children were born in the 1920s, and some are still alive today.
Here is a description of how children worked in the mines of Pennsylvania, provided by the son of a mule driver like Havard:
My dad was a 'mule driver' in a Western Pennsylvania bituminous coal mine as a youth. His job was to guide the mule and coal cart on tracks out of the mine. On the way out, he would make sure that no clumps of coal would fall off the cart. If they did he would have to pick up the coal, climb to the top of the load and replace the fallen coal on top of the load. The coal company had a bell at the exit tunnel hanging down to ring as it was hit on the way out. If the bell did not ring, the team who cut, dug and loaded the coal would not be paid for a full load. He could never let that bell not to ring. That team of miners were his relatives and neighbors in the same Coal Patch.

By now, many of you have heard that we are headed to Philadelphia. The heavy lifting of the move has begun, so it'll be at least a week or so before I'll have a chance to share more Good Mornings with y'all. Please be sweet in the meantime, and don't pick on your siblings; we are, after all, moving to the City of Brotherly of Love.
I cannot say what's with the horses. They're tied up to a pay phone in front of PMV Variety Store in our neighborhood-to-be, just south of center city Philadelphia. If you Google-earth this spot, you'll see that the pay phone is still there and the storefront still looks the same, though the PMV Variety may now be out of business. The horses have vamoosed.


