sculpture
Ten years ago, an exhibition of work by the Colombian sculptor and painter Fernando Botero toured Europe, including a stop in the courtyard of the Cathedrale di Milano, as shown here. Next fall, a Botero exhibit will visit Bilbao, Spain, but the photo below taken in Bilbao last week features a sculpture that resembles the work of Botero in roundness alone.
Visitors enjoy their reflections in the bean, in downtown Chicago's Millennium Park, near the waterfront. The couple pictured here can also be seen at lower right in the picture below, when they were first approaching the shiny thing and had not yet found themselves in it. But they're already there, if you look closely, along with the skyscrapers in the background and an ice skating rink in the middle distance.
I don't know where Lenfest Plaza is in Philadelphia, but I gather that this airplane sculpture by Jordan Griska has been installed there recently, along with some Oldenburg paintbrushes. Guess I have to check it out.
There's a troll underneath the Fremont bridge in Seattle, with a Volkswagen in its grip. The three billy goats gruff, in rusty cast iron, are grazing on a church lawn a couple of blocks away, at the corner of Troll Avenue and 35th Street.
The bronze leg of the sculpted woman here appears to have graffiti on it. The bronze head of the man appears to have a seagull on it.
The people appear poised to run into the surf near the boardwalk in Atlantic City, New Jersey.
He is "Le Grand Van Gogh," cast in bronze by sculptor Bruno Catalano.
Sculptor Gerry Lynas prefers working in sand, but last February in New York he had no choice but to make do with snow. His "Two Feet of Snow" on W. 83rd Street in Manhattan was actually five and a half feet tall. It lasted only a day and a night; the next morning, one of the legs was in the gutter, perhaps from non-natural causes.
Lynas liked the consistency of that February 10 snowfall; he said he hadn't seen such nice, sticky sculpting snow in New York since 1977, when he built a thirty-foot wooly mammoth in Central Park.
Here's to a Memorial Day weekend of seasonably lousy snow.
It seems straightforward enough: juxtapose innocence and danger, and there it is, Little Red Riding Hood. Also, I think, sculptors must like to do wolves. The bronze interpretation here is in Munich, the stone carving in Hermosillo, Mexico.
In 1958, road construction along this hillside in Bistoun, Iran uncovered a two-thousand-year-old carving of a a recumbent Hercules, in the nude. The Greek inscription on the tablet behind Hercules's shoulder helped date the sculpture to approximately 150 B.C.
There is a lion lying here alongside the hero, difficult to make out in this photo, except for the tail at upper left. Hercules is actually resting one arm on the lion's head. His weaponry--club and quiver--are leaned against the lion's rump. Hard to say what the man is drinking, but he's clearly been eating well.
